The Mongol Empire was founded by Chinggis Khan in the early thirteenth century. Within the span of two generations it embraced most of Asia, thus becoming the largest land-based state in history. The united empire lasted only until around 1260, but the major successor states continued for many generations, in the Middle East, present-day Russia, Central Asia and China. It left ...(展开全部)

The Mongol Empire was founded by Chinggis Khan in the early thirteenth century. Within the span of two generations it embraced most of Asia, thus becoming the largest land-based state in history. The united empire lasted only until around 1260, but the major successor states continued for many generations, in the Middle East, present-day Russia, Central Asia and China. It left ...(展开全部)

波音公司创始人 威廉・波音 就整个历史的轨迹来看，七十五年的 光阴如沧海一粟般地微不足道。 不过以公司的历史来看，波音堪称为 “人杰”，因为在一九一六年以来成立的众多 顶尖或出尽风头的美国公司中，其下场不 是随风而逝就是被其他公司并购，不过，波 音却仍能在多少惊涛骇浪中屹立不摇地挺 立着，而且日益地挺拔、茁壮。时至今日， 它不但是美国科技雄霸天下的象征，其所 建立的各种标准也为共他公司的人员所－ 致遵循。其员工一句“我在波音服务”不知 包含了多少的骄傲，当然，也包含了其他人 对该公司的期许。

赵玲玲，北京语言大学博士，内蒙古大学外国语学院教师，主要研究方向为英语文学视野中的蒙古形象、翻译理论与实践，比较文学形象学等。

In his prologue to The Mongol Empire, Michael Prawdin sets the stage for the last and mightiest onslaught of the nomads upon the civilized world. He tells of the many rejoicings in Europe over the successes of the Crusaders in A.D. 1221. But little did Europe know that two decades later, the Mongol hordes organized by Genghis Khan would turn the Middle East into a heap of ruins...(展开全部)

Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the crea...(展开全部)

Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the crea...(展开全部)

Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presen...(展开全部)

Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presen...(展开全部)